![]() This circumstance, together with the fact that wall painting requires rapid execution times, necessitated a rigorous arrangement of the worksite and the work phases, as well as the simultaneous presence of several painters, organised in workshops led by a master. Although wall painting could be used for relatively small projects, such as individual panels dedicated to a single figure, it was more often carried out on huge areas, sometimes-as in the case of the Church of St Francis in Assisi (Umbria region, central Italy)-on entire buildings. Namely, their combined employment as materials for wall painting, one of the main domains of the period’s visual culture. This paper examines a distinctive use that, in the Middle Ages, artists made of plaster, mortar and pigments. ![]() 2021) provide insights into the variety and different uses of these materials. Furthermore, two papers on cosmetic (Pérez Arantegui 2021) and bioactive (antibacterial) pigments (Knapp et al. An overview of the use of inks, pigments and dyes in manuscripts, their scientific examination and analysis protocol (Burgio 2021) as well as an overview of glass-based pigments (Cavallo and Riccardi 2021) are also presented. 2021) As-based yellows and reds (Gliozzo and Burgio 2021) Pb-based whites, reds, yellows and oranges (Gliozzo and Ionescu 2021) Hg-based red and white (Gliozzo 2021) and organic pigments (Aceto 2021). 2021) Cu-based greens and blues (Švarcová et al. A series of archaeometric reviews illustrate the state of the art of the studies carried out on Fe-based red, yellow and brown ochres (Mastrotheodoros et al. ![]() Three archaeological reviews on prehistoric (Domingo Sanz and Chieli 2021), Roman (Salvadori and Sbrolli 2021) and Medieval (this paper) wall paintings clarify the archaeological and historical/cultural framework. The second group of contributions is focused on pigments, starting from a philological essay on terminology (Becker 2021). Furthermore, several issues concerning the degradation and conservation of mortars and plasters are addressed from practical and technical standpoints (La Russa and Ruffolo 2021, Caroselli et al. An insight into their production, transport and on-site organisation is further provided by DeLaine ( 2021). The first group of contributions explains how mortars have been made and used through the ages (Arizzi and Cultrone 2021, Ergenç et al. The chosen perspective is that of a multidisciplinary scenario, capable of combining, integrating and solving the research issues raised by the study of mortars, plasters and pigments (Gliozzo et al. Works by many leading artists have been commissioned and then constructed in situ.This Topical Collection (TC) covers several topics in the field of study, in which ancient architecture art history, archaeology and material analyses intersect. Jupiter Artland is a contemporary sculpture garden in the grounds of Bonnington House, outside Edinburgh. The live final will be shown on 29th July, where the public will have the opportunity to vote for their favourite home from the seven finalists.īonnington House Edinburgh information by Lee Boyd Limited 24.07.03 ‘Jacobean House’, one of the award winning projects Lee Boyd have been involved in, reached the final of ‘Britain’s Best Home’ on Channel 4, after winning the listed building category. The Bonnington House design is by Lee Boyd architects, based in Edinburgh.īritain’s Best Home? photo © Keith Hunter Location: Bonnington located one and a half miles South West of Ratho Village. Why not provide them with the opportunity to create new works in their grounds? They couldn’t find any reason not to. She and Robert, as serious collectors, knew many leading contemporary artists. Here, she believed, in this ancient place with reputed Knights Templar connections, art and nature, home and family, livestock and the footfall of those interested in contemporary sculpture could all co-exist. Nicky, herself a sculptor manque since the birth of her four children had always been deeply influenced by Ian Hamilton Finlay’s Little Sparta, some thirty miles as the crow flies, from Bonnington. Within a few years, the formal gardens, fields and woodlands surrounding this historic house began to suggest the perfect milieu for Nicky Wilson’s long-held ambition to create a sculpture park. ![]() Robert and Nicky Wilson bought Bonnington House, a Jacobean manor house within an 100-acre estate, in 1999. Jupiter Artland – Art Fund Museum of the Year Shortlistedįive brilliant, innovative UK museums have been shortlisted for the Art Fund Prize for Museum of the Year 2016, including Jupiter Artland in West Lothian: West Lothian Property renewal design by Lee Boyd Architects near Edinburgh: Information + Images Bonnington House, Museum Building, Architect, Project Images, Jupiter Artland Ratho, Design Info Bonnington House: Jupiter Artland ![]()
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